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One problem with a dye-sublimation printer is that it uses the same amount of dye-coated ribbon for every print, even if only one color is used And the cost per print of the ribbon 71 cents is almost equal to the 78-cent price for one sheet of dye-sub photo paper Because the ribbon must make four passes over the paper, one for each color carried by the ribbon, it takes 90 seconds to turn out a simple print This makes it an impractical choice for high-volume jobs, especially if the dye-sub is used to produce a lot of ordinary black-and-white letters and other documents The cost of supplies alone would be high enough to justify a separate printer for the monochrome work But if you want the absolutely best quality for your photographs and price and time be damned, you should at least look at a dye-sub A few years ago, an office dye-sub printer cost several thousand dollars Now camera makers are turning out dye-subs at decent prices If you don t mind a limit of 4 6-inch prints, you can find a dye-sub for $300 to $500 Limit yourself some more say, to wallet-size prints and it ll cost you just over $200 Olympus sells a dye-sub that produces 8 10-inch prints and costs $500 The final criterion for quality, though, is your eyesight You must first examine the actual hard copy produced by any printer you re considering It should be done on the printer s own best paper (The unattended printers displayed in stores that give you a printing sample at the push of a button aren t usually done with the best paper and the highest settings Track down a sales rep and ask him to break out the good paper) Take a look at Figure 6-6 It shows extreme enlargements of a portion of a standard color test image (available for your own tests at http://digitaldognet/files/ PrinterTestfilejpghqx) Starting clockwise beginning at the top left, the printers used are a Hewlett-Packard G85 ink-jet, an Epson photo-quality ink-jet, and a Sony dye-sublimation printer The fourth print was done using conventional chemical photo processing All of these prints look good at their normal 4 6 size, but the enlargements reveal subtle differences among them.

Adobe AIR, along with Adobe Flex, are cornerstones of Adobe s RIA platform, which enables developers and designers to create and deliver rich, dynamic, branded content and applications across all major operating systems Key elements of Adobe AIR are open source, including the WebKit HTML engine, the ActionScript Virtual Machine (Tamarin project), and SQLite local database functionality Additionally, Adobe also offers Adobe Flex as open source By embracing open-source technologies and offering prerelease versions of software, Adobe enables developers worldwide to participate in the growth of the industry s most advanced platform for building cross-operating-system RIAs Adobe AIR represents a new medium, as the best of the Web and the best of the desktop come together, said Kevin Lynch, senior vice president and chief software architect at Adobe Adobe AIR expands the universe of possibilities for Web developers who can now deliver a new generation of applications that work across operating systems and both inside and outside the browser, bridging the gap between the Web and the personal computer

Variable gain amplifiers (VGAs) can be designed in one of two ways: either by varying the active device s bias voltage to its base, which controls its collector current, and thus the gain of the transistor (see Automatic gain control ), or by placing a voltage- or current-controlled variable attenuator at the input to a fixed-gain amplifier Since the latter design usually results in a more linear amplifier response over gain, especially with large input signals, it is preferred over the variable-bias design in many applications An added disadvantage to the variable-bias type is that any modification to the bias of a transistor will also alter its S parameters This means that not only will the gain be varied, but so will the return loss of the amplifier which can prove catastrophic if the VGA is attached to a filter circuit (a filter s response is dependent on its source and load impedance) In using PIN diode attenuators, a few cautions are in order As with most devices using PINs, the minimum usable frequency is normally above 10 MHz Some special PIN diodes may attain lower frequencies, while some will not operate properly until much higher frequencies are reached However, as the frequency is decreased in any PIN, its IMD and insertion losses will increase As well, many PIN attenuator designs used for AGCs should be tested for IMD performance, considering that a PIN has better intermodulation specs at higher bias currents and, as high received signal levels result in increased attenuator IMD, decreasing the bias current to attenuate the signal will add to this problem